The Yellow Rose Of Texas

This MP3 has been arrranged from one of the early sheet music versions, published in Macon, Georgia, by John C. Shreiner & Son in the 1860s. James F. Week was the printer and engraver. This version was published for piano, solo voice and 4-part chorus. I have subsituted flute and strings for the vocal parts.

In Search
of the
"Yellow Rose of Texas"

by Mark Whitelaw

Texas history is full of legend and lore. One such tale is the "Yellow Rose of Texas" - a legend commemorated in song. But is there such a rose? And if there is, which rose is it?

The Song

Originally conceived as a folksong in early Colonial Texas history, the first recorded copy of the "Yellow Rose of Texas" was handwritten on a piece of plain paper circa 1836. Historical records indicate this copy was most probably transcribed either shortly before or just after General Sam Houston lead his brigade of Texas loyalists against the army of General Antonio Lopez de Santa Anna at the Battle of San Jacinto on April 21, 1836.

The folksong's lyrics [see Lyrics] tell of a black American (presumably a soldier) who left his sweetheart (a "yellow rose") and yearns to return to her side. "Yellow" was a term given to Americans of mixed race in those days - most commonly mulattos. And "Rose" was a popular feminine nineteenth century name; frequently used in songs and poems as a symbolic glorification of young womanhood. [Turner]

The original transcription was poorly made and full of spelling errors. This would indicate [that] the transcriber was somewhat uneducated but possibly influential, as it was signed with three embellished initials. This copy is now housed in the archives at the University of Texas in Austin.

Although no name is given as the song's composer in any of the records, a hint may come from the fourth line in the chorus which infers the soldier is from Tennessee. Unfortunately, many men from Tennessee moved to (or were brought to) Texas during its colonization and war of independence.

In 1858, the first copyrighted edition of the song was published in New York. The cover states the song was "Composed and Arranged Expressly for Charles H. Brown by J.K." It was common in the nineteenth century to keep "ghost" composers secretive, especially if the songs had slave folksong origins. Hence, we don't know who "J.K." was, nor are we certain he was even the composer. And we're not likely to find out.

Soon after it was published, the song increased in worldwide popularity and was sung by minstrels both in this country and Europe. As the American Civil War began, it was adopted as a marching song by soldiers everywhere - most often, as you might expect, by those soldiers from Texas. But since it referred to (and was to be sung by) a black American soldier, the song's lyrics were changed. By the early 1860's, the term "darky"[sic] was replaced
with "soldier," and the first line of the chorus was changed to
"She's the sweetest little flower...."

Finally, in 1864 with the end of the war nearing, a fourth stanza was added to reflect the dismay and hopelessness of General John B. Hood's retreating Texas Brigade after its disastrous Tennessee campaign. [Abernathy] Some of his troops were so disoriented after the loss, they actually thought the war was over and started returning home - singing, of course, "Yellow Rose of Texas."

So then, who was Yellow Rose? The answer comes from historical records which tell us the song's original title was "Emily, the Maid of Morgan's Point." [Turner]

The Legend

Emily of Morgan's Point refers to an indentured servant, somewhat forgotten in history for her heroism during the Texas war of independence from Mexico. Some contend the legend is a myth - not a part of history. [Abernathy] The historical evidence, however, indicates otherwise.

The legend begins in 1830 with the immigration to Texas of one James Morgan, an entrepreneur from Philadelphia with extensive holdings. Morgan was eager to capitalize on the cheap land and business opportunities in the Mexican colony which would ultimately become Texas. He formed several partnerships with New York speculators for land deals in the fledgling colony. However, Texas did not permit slavery and Morgan had 16 he wanted to bring with him. So to circumvent the law, he converted his slaves into 99-year indentured servants.

In the years that followed, a scheme was conceived to flood Texas with non-Mexicans from the United States. To capitalize on that movement, Morgan returned to New York in 1835 to recruit more workers for his settlement. One such émigré was a twenty year old woman named Emily D. West - "an eastern import with extraordinary intelligence and sophistication."

Emily West was mulatto and possibly from Bermuda, since Morgan brought many of his workers from this Atlantic island. According to some records, West volunteered to be indentured, most probably to escape the prejudice against her mixed race. And, as was the custom for an indentured worker at the time, she changed her last name to that of Morgan's.

By the following year in 1836, the war for Texas' independence from Mexico was fully engaged and led by General Sam Houston. James Morgan's now successful settlement, New Washington, was strategically located near the mouth of the San Jacinto River. He freely gave his famous oranges, various grains and fattened cattle to Houston's men. One particularly strategic parcel of land named Morgan's Point (so called to this day) extended into San Jacinto Bay. From Morgan's Point, flatboats were loaded with supplies for Houston.

Thus established as a "friend of Texas," James Morgan was appointed a Colonel. And in March, 1836, he was assigned to the Port of Galveston (some 30 miles away) to guard Texas refugees and fugitive government officials. So that Houston's supply line would continue, he left Emily West Morgan in charge of loading flatboats destined to feed the army.

By the afternoon of April 18, 1836, General Santa Anna had moved his men into position to attack the Texas rebels he knew to be nearby. On his approach was New Washington - now mostly deserted as its inhabitants fled before his marching army. One of those that remained behind, however, was Emily, and Santa Anna was immediately struck by her beauty.

The next morning, after his men helped themselves to the crops and cattle, Santa Anna set about securing one more "spoil of war" - Emily. He captured her and a young "yellow boy" named Turner loading yet another flatboat headed for Houston's army. Santa Anna cajoled Turner to lead his Mexican scouts to the Houston encampment. But as they were departing, Emily convinced Turner to escape from Santa Anna's men and rush to Houston's camp to inform him of the Mexican general's arrival.

General Santa Anna believed himself quite the ladies' man. And although still married to a woman in Mexico, he remarried one of his teenaged captives from his Texas campaign. But he had been without his most recent bride for two weeks now. Emily looked like she would make a very suitable replacement.

Thus, he ordered the immediate setting up of his encampment on the plains of the San Jacinto despite protestations from his colonels who insisted the location violated all principles of wartime strategy. And they were right. Houston, upon hearing of Santa Anna's location from Turner, moved his troops into the woods within a scant mile of the beguiled general's headquarters.

On the morning of April 21, Houston climbed a tree to spy into the Mexican camp. There he saw Emily preparing a champagne breakfast for Santa Anna, and reportedly remarked, "I hope that slave girl makes him [Santa Anna] neglect his business and keeps him in bed all day." [Garner]

By afternoon, the great final battle for the independence of Texas was engaged. The Mexican army was caught completely by surprise, and Santa Anna was literally caught "with his pants down." (Reports at the time said he was caught running away from the battle with his studded silk shirt opened and concealed under a dead soldier's blue smock - hurriedly put on during his attempted escape.)

Emily West Morgan survived the battle and made her way back to NewWashington. Two days later, James Morgan, who had not heard of the battle, returned from Galveston and Emily told him of her ordeal and the outcome of the last great battle. The colonel was so impressed with Emily's heroism, he repealed her indenture and gave her a passport back to New York - the final chapter of which we have no record.

We do know, however, Morgan made certain everyone knew of Emily's heroism. He told everyone he encountered or anyone who would listen, and recorded the story in his journals. Morgan "kept a running commentary on Texas affairs with Samuel Swartwout, one of Houston's friends in New York City." [Wisehart] He also told his story to an English friend and ethnologist, William Bollaert, who recorded the story in every detail. [Turner]

There are some in recent history who have suggested Emily's efforts were made because she was attracted to the opulence and good looks of the Mexican general. But the accounts from those who were there indicate she was a loyal "Texian" who did what she could for the independence of Texas. [Turner]

Today, the heroic acts of the young woman from New York are still reverently commemorated by the members of the Knights of the Yellow Rose of Texas each April 21 at San Jacinto.

The Rose

To answer the questions, "Is there a Yellow Rose of Texas?" and if so "What is it?", the answer is there was a "Yellow Rose." But it was not a "what" it was a "who" - Emily West Morgan.

It follows, then, that we ask "Is there a rose named in honor of Emily and her heroic act?" Although a possibility, probably not.

In rose literature, the Old Garden Rose most frequently associated with the "Yellow Rose of Texas" is Harison's Yellow. Let's examine the possibilities.

In the 1830's, George Folliott Harison was a New York lawyer and amateur rose hybridizer. He (or possibly his lawyer father, Richard) crossed what is believed to be Rosa foetida persiana (ÎPersian Yellow') with R. spinosissima (= R. pimpinellifolia) ('Scotch Briar Rose'). The resulting hybrid was named Rosa x. harisonii or ÎHarison's Yellow.' [Phillips and Rix] Although once-blooming, Harison's Yellow was renowned at the time for its vigor, hardiness, resilience and resistance to disease.

The obvious link between the woman, the song, and the rose is New York City. Although I could find no record indicating George and/or Richard Harison were business partners with James Morgan, as "men of means" this may have been a possibility.

It is almost a certainty the New York press would have picked up on the tales coming from the Battle of San Jacinto and the subsequent independence of Texas - especially since James Morgan had business ties to the city. Almost as certain would be James Morgan's account of his former servant's heroism - especially since he would have been a "neighbor" from Pennsylvania with numerous business dealings in New York; and she would have been considered a New Yorker who had survived a Texas adventure and returned "home" as a "free woman" to tell about it.

Although I searched the index to The New York Times in great detail, I turned up no such tales. The index itself is handscribed and annotates only important stories as they relate to national and state events and people. "Features" about roses and adventures are not recorded.

The folksong that became so popular also became the theme song for settlers as they traveled long distances in search of a new homestead. In the ensuing decades after its hybridization, both preceding and following the American Civil War, Harison's Yellow was reportedly carried westward by settlers who planted it wherever they stopped. Even today, naturalized stands of this rose can befound as far west as New Mexico and California. [Druitt and Shoup] But it is seldom seen naturalized in Texas.

Despite its vigor and resilience to the difficult growing conditions in northern climates, Harison's Yellow does not grow well in Texas where the growth season is long and summer temperatures are high - most notably in the central and southern portions of the state. Likewise, it does not root well from cuttings - the preferred method of transporting roses by settlers in the nineteenth century.

And what of the comparison between the lyrics and the rose? Is it a "stretch" to connect the brilliant yellow blossoms of Harison's Yellow with the lyrics "Her eyes are bright as diamonds, they sparkle in the dew"? Can we compare the fruity scent of the blossoms to "She's the sweetest rose of color...."? Dare we associate the charming but ever-so-prickly canes of this rose tothe Mata Hari-like deeds performed on behalf of the fight for Texas
independence?

Again, possibly. There is no way of knowing for certain. But if this rose was so nicknamed by travelers in search of long-sought goals - goals commemorated in a wonderful folksong about a Texas heroine - then indeed Harison's Yellow may well be the "Yellow Roseof Texas."


References:
Abernathy, Francis Edward. Singin' Texas. E. Hearst Press, Dallas,
TX. 1983.
Beales, Peter. Classic Roses. Henry Holt & Co., New York, NY. 1985.
Cairns, Thomas, Ed. Modern Roses 10. The American Rose Society,
Shreveport, LA. 1993.
Druitt, Liz and G. Michael Shoup. Landscaping with Antique Roses.
Taunton Press; Newtown, CT. 1992.
Garner, Claude W. Sam Houston: Texas Giant. Naylor Co., San
Antonio, TX. 1969.
Phillips, Roger and Martyn Rix. The Quest for the Rose. Random
House, New York, NY. 1993.
Turner, Martha Anne. Yellow Rose of Texas: Her Saga and Her Song.
Shoal Creek Publishers, Austin, TX. 1976.
Wisehart, M. K. Sam Houston: American Giant. Robert B. Luce, Inc.,
Washington, DC. 1962


About the Lyrics of Yellow Rose Of Texas

A manuscript of a poem, but not music, appeared around 1836 signed "H.B.C." and giving honor to a lover: The earliest known copy of the song "The Yellow Rose of Texas" appeared soon after the Battle of San Jacinto. This handwritten version was dedicated to "E.A. Jones". (Editor's note and theory - Oddly enough, one "Edward A. Jones" was the first African American to graduate from an American university - Amherst College, in1826. Any connection between the two is unknown).


There's a yellow rose in Texas
That I am a going to see
No other darky knows her
No one only me

She cryed so when I left her
It like to broke my heart
And if I ever find her
We nevermore will part


And continues:

She's the sweetest rose of color
This darky ever knew
Her eyes are bright as diamonds
They sparkle like the dew

You may talk about dearest May
and sing of Rosa Lee
But the yellow rose of Texas
Beats the belles of Tennessee

Obviously, the author is black, or is pretending to be, and has left a
love, and has come connection to Tennessee.

More than 25 years later, the lyrics were changed, some might say whitewashed....... "Soldier" replaced "darky." And the first line of the chorus was also changed to read,
"She's the sweetest little flower...."
As the Texas Confederate soldiers marched off to battle, this new and somewhat censored version was what they were singing.

In 1864 General Hood and the Texas Brigade fighting in Tennessee, were defeated. His men retreated in such confusion they thought the war was over. Many headed home, and a fourth stanza was added:
And now I'm going southward, for my heart is full of woe,
I'm going back to Georgia, to see my Uncle Joe.
You may talk about your Beauregard, and sing of Bobbie Lee,
But the gallant Hood of Texas played hell in Tennessee. [Chorus]


Some versions have the third line changed to read, "...and sing of
General Lee,"
- an obvious reference to the Confederate General Robert E. Lee.

In 1936 a concert arrangement was offered by David W. Guion for the Texas Centennial (and dedicated to Franklin D. Roosevelt, who ordered a White House performance).

In 1955 Mitch Miller recorded an arrangement for Columbia Records.
The lyrics were, by then, much altered:

She's the sweetest little rosebud,
That Texas ever knew
Her eyes are bright as diamonds,
They sparkle like the dew,

You may talk about your Clementine
and sing of Rosalee,
But The Yellow Rose of Texas
is the only girl for me!

 

The Music Of Justin Holland

Justin Holland was one of the first American classical guitarists, and he was teacher and a composer. He was also a prominent member of the African-American Masonic lodge. We have collected sheet music of the solo guitar works and the arrangements for voice and guitar of Justin Holland.

 

The Music Of 19th Century
African-American Composers

 

Download the piano solo sheet music of some of the early
African-American composers

 

 

Sheet Music Published In
19th Century Texas

In 19th Century Texas, composers and music publishers were busy publishing all kinds of music, instrumental, choral, songs, you name it.


Music Published In
19th Century Texas

 

 

 

New...


The Cider Press Unique PDF ebook collection for historical researchers, music history researchers and for the just plain curious folks out there....



Visit the Cider Press
Early American music,
unusual & unique music,
and ephemera collection.

 

 

Visit the Cider Press printing services page to view the list of printing, publishing, graphic design and specialty music printing services we offer.






 

Explore - The Amaranth Publishing links to the world's most mysterious book, The People's Conspiracy, the world's oldest song, the music of the spheres,
the music of the Illuminati, the world's oldest love song, the 19th Century American X-files, a way you can compose music like Mozart,
and much more
........

 



E-mail,
or contact us at:
Phone - (817) 281-4649

Amaranth Publishing

 

 

© 2013 - Amaranth Publishing
All rights reserved